![]() And although characters spend a fair amount of time delivering exposition-filled monologues, I still don’t feel like I understand the difference between in-world concepts like SE.RA.PH or the Moon Cell. We meet four separate characters there, and I have absolutely no idea which one is the floor master was or how they’re all connected. In a similarly confusing manner, the events of the third stratum are presented out of chronological order and are very difficult to follow. Presumably, these will be addressed in the follow-up film to the series-to be released in Japan later this month-but the show still feels uncomfortably unfinished, ridden with far too many plot holes for comfort. Similarly, when Hakuno delivers the body for incineration, he is plagued by visions of trauma from his past that are never explained. This is a fascinating concept, but neither Leo nor the Conglomerate is ever mentioned again. Harwey, the victor of that deadly chess match, is introduced as the heir to the Western European Conglomerate. Why do so many students die on this campus? Why did a student literally die because he lost a chess game? Why did the nurse ask a student to bury a body? Plot elements that seem interesting are brought up and then promptly abandoned. In the opening episode, we are thrown into a baffling and complex school life without any context. I was frustrated at what felt like an uphill battle to understand both the world Hakuno lives in and Hakuno himself. Yet I cannot speak so highly of this series’s writing. The third stratum, again, boasts brilliantly executed music: a monster possesses time-altering powers that can reset events at will, so the music skips periodically as if someone is briefly pausing a recording. ![]() The soundtrack (composed by Satoru Kosaki) is also excellent, making the battles more epic and the dialogue more emotional. The entire third stratum is a triumph of design, a psychedelic wonderland of different textures and objects that all appear hand-drawn. Characters’ faces are expressive and detailed. Crisp fight scenes take place in front of luscious, magnificently colored backgrounds. Perhaps the most successful element of this series is its animation. Hakuno does not understand why he is so driven to win, but with Saber’s enthusiastic support, he determines that he will do so whatever the cost. ![]() If he is declared the winner, Hakuno will receive the Holy Grail and be granted a wish. Saber explains that she and Hakuno must travel upwards through seven strata, defeating the “floor master” of each level in order to ascend. In this world, servants are the digital recreations of famous historical figures, now serving as expert fighters who battle at their masters’ command. Driven by this hateful nature, Hakuno encounters a powerful “servant” called Saber and enters the Holy Grail War as her “master.” Hakuno remembers virtually nothing about himself or his past-except that he bears a fierce hatred for this school and everything in it. The computer then decides to conduct a purge of its students: those who kill a classmate will ascend to the next stratum and secure a place in the Holy Grail War, while all others will be eliminated. Students seem to die regularly, and their bodies are incinerated in a designated room. When we first meet him, Hakuno Kishinami attends a computer simulation disguised as a school. Did I understand what was going on? Maybe about 50% of it. These comments pretty much sum up my feelings on this series. Masaaki Takiyama (Tokyo ESP) is designing the characters based on Rco Wada's original designs, and original Fate/stay night creator Kinoko Nasu and Satoru Kousaki of The Melancholy of Haruhi Suzimiya are composing the music for the series.In episode two of Fate/Extra Last Encore, protagonist Hakuno Kishinami complains, “That was all pretty hard to follow.” In the final episode of the series, Saber says something similar: “Honestly, I have not understood much on our journey.” Studio Shaft adapts the series with Akiyuki Simbo (Puella Magi Madoka Magica) serving as the chief director with Yukihiro Miyamoto ( Puella Magi Madoka Magica) serving as series director. The main character is then given a Servant, a popular hero in history who has been summoned, in order to fight enemies and eventually strive for the Holy Grail and to figure out their own identity. The video game series follows an amnesiac main character who wakes up in a virtual world and must fight others in a tournament where the winner is granted one wish. Fate/Extra Last Encore (Dub/Sub) now available on Netflix! from r/animeįor those unfamiliar with Fate/Extra, it's a spin-off of the Fate/stay night visual novel series from Type-Moon, written by Yuichiro Higashide and illustrated by Ototsugu Konoe.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |